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F. Besson "French Wrap" (±1875)
This F. Besson cornet features the beautiful, compact "French Wrap" configuration that is a hallmark of classic Parisian design. Built around 1875, it carries the serial number 11775, placing its manufacture squarely during the historic era when Florentine Ridoux was running the Parisian workshop. This transitional period has left some fascinating marking discrepancies on the horn itself. While the official maker's stamp with the crown on the valve casing still uses the masculine designation "Breveté", the elegant engraving on the bell transitions to the feminine "Brevetée" alongside the distinctive "FR" monogram. Furthermore, the bell banner proudly boasts a total of 28 medailles d'honneur.
Visually, the cornet has survived the decades in relatively good aesthetic shape, though it does carry some honest battle scars. There is some noticeable creasing along the rim of the bell flare, along with a few shallow dents scattered throughout the main bow. The instrument came complete with its original "coffin-style" wooden case, which still sports the original F. Besson nameplate featuring that same feminine "Brevetée" spelling. Sadly, time has not been kind to the case; the internal lining is entirely rotted away and there is a large split running right across the lid.
When the horn arrived, it was missing its tuning bits and a mouthpiece, but suitable vintage spares from the inventory allowed for a proper setup. After a thorough cleaning, checking over the mechanics showed that while the first valve slide is currently stuck, the remaining tuning slides move freely. The valves themselves move smoothly, although the third valve requires some careful effort when inserting or removing it from its casing.
A first play-test yields mixed results. The first and third valves perform admirably, retaining surprisingly good compression for an instrument of this age. However, the second valve suffers from a severe air leak, causing a major drop in sound quality and responsiveness when engaged. Because of this, the cornet will likely never be a truly reliable player. Yet, when managing to avoid the second valve during play, the instrument offers a striking glimpse of what it once was—producing a remarkably beautiful, rich vintage tone that serves as a genuine, 150-year-old echo of the famous 19th-century Besson sound.





















